Posts tagged ‘Wendy Nikel’

Broad Knowledge

Print (978-1-937794-85-9).
Ebook (978-1-937794-86-6).

 
Go to: About | Reviews | Goodreads
Forthcoming 20 November 2018, during Small Press Week!


 

About

Broad Knowledge: 35 Women Up To No Good is a feminist anthology of dark fiction and darker knowledge, edited by Joanne Merriam. Containing 35 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 35 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the second in the Women Up To No Good series, and is forthcoming on 20 November 2018.

 

Table of Contents

  • Charlotte Ashley, “She Falls” (original)
  • R. S. Benedict, “Clara Vox” (original)
  • Megan Chaudhuri, “First mouse model of Innsmouth Fish-man Syndrome draft 2 USE THIS VERSION – edits by MK.doc” (original)
  • Autumn Christian, “Flowers for Dogman” (original)
  • Vida Cruz, “Blushing Blue” (original)
  • Sarina Dorie, “The Visitations of Seraphim by Biblical Scholar Father Anthony Maguire” (original)
  • L. Timmel Duchamp, “The Forbidden Words of Margaret A.” (first published in Pulphouse 8, August 1990, and also available in The Women Who Walk Through Fire, ed. Susanna J. Sturgis, Crossing Press, 1990 and in PDF on Duchamp’s website)
  • Estíbaliz Espinosa, “:: 23 commuter line chromosomes ::” (first published in Galician in Curiosidade, but original in English, translated by the author)
  • A. T. Greenblatt, “Five Meters Ahead, Two Centuries Away”(original)
  • Claudine Griggs, “The Cold Waters of Europa” (original)
  • Audrey R. Hollis, “Your Life Will Look Perfect From Afar” (original)
  • Joanna Michal Hoyt, “Taking It Back” (original)
  • Rebecca Jones-Howe, “Election Season” (original)
  • Maggie Maxwell, “Like I Need a Hole in the Head” (original)
  • Rati Mehrotra, “Make Pretty” (original)
  • Teresa P. Mira de Echeverría, “Liquid Glass” (trans. Lawrence Schimel) (original)
  • Premee Mohamed, “Below the Kirk, Below the Hill” (original)
  • Wendy Nikel, “Maidens of the Sea” (original)
  • Julie Nováková, “Frankenstein Sonata” (original)
  • Aimee Ogden, “Matched Set” (original)
  • Ezzy G. Languzzi, “Viva La Muñeca” (original)
  • Therese Pieczynski, “Three Days, Two Nights” (original)
  • Laura E. Price, “Mary in the Looking Glass” (original)
  • Clarice Radrick, “The Red” (original)
  • Nisi Shawl, “Street Worm” (first published in Streets of Shadows, Alliteration Ink, 2014; also appeared in Street Magicks, Prime Books, 2016)
  • Tabitha Sin, “The Donor” (original)
  • Angela Slatter, “The Song of Sighs” (first published in Weirder Shadows Over Innsmouth, 2013; also appeared in New Cthulhu 2: More Recent Weird, 2015)
  • D.A. Xiaolin Spires, “Sunbasker” (original)
  • Priya Sridhar, “Tidal Bloom” (original)
  • Jae Steinbacher, “Blood Sausage” (original)
  • Sonya Taaffe, “Like Milkweed” (first appeared in Not One of Us #52, ed. John Benson, October 2014)
  • Liz Ulin, “Profanity” (original)
  • Marie Vibbert, “Infinite Boyfriends” (original)
  • Mingzhao Xu, “Think, Baby Turtle” (original)
  • Xin Niu Zhang, “The Ladies in the Moon” (original)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

Many thanks to Christi Craig for hosting the cover reveal for Broad Knowledge: 35 Women Up To No Good. We changed covers after the Kickstarter, and the old cover was our Kickstarter exclusive!

8 July 2018

The day dawns as red as fresh blood on a fishing boat’s deck.

In her introduction to Sharp & Sugar Tooth, editor Octavia Cade writes:

. . . the coastal community of Amelia Gorman’s “She Makes the Deep Boil” is dependent on the sea to sate their hunger. And it does, mostly, supplying enough to keep a town with at least pretensions to vibrancy, but the giant creatures of the sea have their own prices and bargains. It’s in the similarity between hunters that the horror in this story lies, in the idea that we are part of a community of animals—part of an ecosystem, and for all the potential generosity of our natures there are some biological restrictions we can’t move beyond, and some consents we won’t ask, or honor.

Today we feature stories of the sea, and what communities dependent on it will do to placate the creatures within. In addition to Gorman’s story above, below are excerpts from Wendy Nikel’s “Maidens of the Sea” (from which our title comes) and Premee Mohamed’s “Below the Kirk, Below the Hill,” both in Broad Knowledge.

Premee Mohamed writes:

My inspiration for “Below the Kirk, Below the Hill” was two of my previous stories, oddly enough. Some of my work has recently ended up in a world in which ‘old gods’ are real and need to be regularly sacrificed to and placated in order to coexist with humans. In “Willing,” the gods are of the prairies; in “The Evaluator,” the gods are of the mountains. It seemed natural to write one set near the ocean. Then I had to start asking myself: What would those gods look like? How would they react differently to certain things than the gods of the land? And the story followed from there. I wanted to ask questions, in the story, about responsibility—who’s responsible for who, and why? Must it always be about love? Never about love? Duty? Obligation? How do you know when something or someone has to be taken under your wing? How is taking in a little girl different from taking in a lighthouse, and how is it the same? When is something ‘Someone else’s problem’ for either gods or humans? This was a difficult story for me because of those questions, and I know not all of them are answered in the text. In the end, I hope they’re not. These are questions we all ask ourselves in real life.

Donate now to pre-order!

 

About the Authors

Amelia Gorman is a horror fan, summer camp baker, and twitter bot maker in Minnesota. You can read her other monstrous themed writing in the Lovecraftian She Walks in Shadows anthology, and her poetry in Liminality Magazine, Star*Line, and Eternal Haunted Summer. Twitter: @gorman_ghast.

Wendy Nikel’s fiction has appeared in Fantastic Stories of the Imagination, Daily Science Fiction, Nature: Futures, and elsewhere. Find her at wendynikel.com.

Premee Mohamed is an Indo-Caribbean scientist and speculative fiction writer based in Canada. Her work has been published by Nightmare Magazine, Martian Migraine Press, Innsmouth Free Press, and many others. She can be found on Twitter at @premeesaurus.

12 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Announcing the table of contents for Broad Knowledge: 35 Women Up To No Good

Broad Knowledge: 35 Women Up To No Good, a feminist anthology of dark fiction and darker knowledge, is forthcoming in spring 2018. We’re delighted to announce the table of contents:

  • Charlotte Ashley, “She Falls”
  • R. S. Benedict, “Clara Vox”
  • Megan Chaudhuri, “First mouse model of Innsmouth Fish-man Syndrome draft 2 USE THIS VERSION – edits by MK.doc”
  • Autumn Christian, “Flowers for Dogman”
  • Vida Cruz, “Blushing Blue”
  • Christina Dalcher, “Vox”
  • Sarina Dorie, “The Visitations of Seraphim by Biblical Scholar Father Anthony Maguire”
  • L. Timmel Duchamp, “The Forbidden Words of Margaret A.”
  • A. T. Greenblatt, “Five Meters Ahead, Two Centuries Away”
  • Claudine Griggs, “The Cold Waters of Europa”
  • Audrey R. Hollis, “Your Life Will Look Perfect From Afar”
  • Joanna Michal Hoyt, “Taking It Back”
  • Rebecca Jones-Howe, “Election Season”
  • Ezzy G. Languzzi, “Viva La Muñeca”
  • Maggie Maxwell, “Like I Need a Hole in the Head”
  • Rati Mehrotra, “Make Pretty”
  • Teresa P. Mira de Echeverría, “Liquid Glass” (trans. Lawrence Schimel)
  • Premee Mohamed, “Below the Kirk, Below the Hill”
  • Julie Nováková, “Frankenstein Sonata”
  • Wendy Nikel, “Maidens of the Sea”
  • Aimee Ogden, “Matched Set”
  • Therese Pieczynski, “Three Days, Two Nights”
  • Laura E. Price, “Mary in the Looking Glass”
  • Clarice Radrick, “The Red”
  • Estíbaliz Espinosa, “:: 23 commuter line chromosomes ::”
  • Tabitha Sin, “The Donor”
  • Angela Slatter, “The Song of Sighs”
  • D.A. Xiaolin Spires, “Sunbasker”
  • Priya Sridhar, “Tidal Bloom”
  • Julie Steinbacher, “Blood Sausage”
  • Sonya Taaffe, “Like Milkweed”
  • Liz Ulin, “Profanity”
  • Marie Vibbert, “Infinite Boyfriends”
  • Mingzhao Xu, “Think, Baby Turtle”
  • Xin Niu Zhang, “The Ladies in the Moon”

Look for your opportunity to pre-order this anthology during our Kickstarter next month—and stay tuned for the cover reveal in a couple of weeks here and at Christi Craig’s book blog!

12 September 2017


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