Posts tagged ‘Margaret Atwood’

Apocalypse Now

How will the end come? What will we do when all the lights go out?

Winner of the Nashville Scene‘s Best Literary Anthology 2013.

Every society and every generation has its version of the apocalypse: swine flu, genetic mutation, global warming, nuclear fallout, the second coming, peak oil, mass extinction, giant irradiated ants, zombies… Apocalypse Now: Poems and Prose from the End of Days is the first anthology of its kind to bring together the poetry and prose of some of America’s finest (though not always most well-known) literary voices with an eye for the literary and the popular, for story and lyric, for the past and the future, for the psychological and the physical, for the real and the fantastic.

Missy, the single mother of Margaret Atwood‘s “The Silver Astroturfer,” spends her days in her basement of computers churning out copy under various aliases (“ExCodFisherman” or “LeglessVeteran” or “LadyDuckHunter”) in order to manipulate the daily news. Davis McCombs poems tell the story of a dying tobacco industry in the South and of the killing of the last gray wolf in Edmonson County, Kentucky.

Rodney Jones‘s “Apocalyptic Narrative” opens in a post-apocalyptic United States in which our hero survives via c-rations and government cheese in an abandoned cave. Joyce Carol Oates‘s “Thanksgiving” depicts a father and daughter who venture out to buy food for their Thanksgiving dinner because the mother is ill. This seemingly ordinary trip, however, becomes decidedly unordinary when our assumptions about their world quickly crumble.

Judy Jordan‘s poems examine humankind’s slow destruction of the earth while Paolo Bacigalupi‘s story, “The People of Sand and Slag,” looks at how we would live post-global warming via three explorers who utilize the environment itself to remake their decaying bodies.

Chet Weise‘s poems tell of the sorely under-reported floods that overwhelmed Nashville, Tennessee in May 2010 in which the Cumberland River rose twelve feet above flood stage and twenty-one people were killed. Pinckney Benedict‘s “The Beginnings of Sorrow” is a deeply disturbing take on metamorphoses as well as apocalypses both large and small, centering on a rural couple with a dog possessed by his master’s deceased and lust-sick father.

Authors include Margaret Atwood, Paolo Bacigalupi, Brian Barker, Jenna Bazzell, Nicky Beer, Pinckney Benedict, Kristin Bock, Tina Connolly, David J. Daniels, Darcie Dennigan, Brian Evenson, Seth Fried, TR Hummer, Rodney Jones, Judy Jordan, Kelly Link, Alexander Lumans, Charles Martin, Davis McCombs, Andrew McFadyen-Ketchum, Marc McKee, Tessa Mellas, Wayne Miller, Simone Muench, Keith Montesano, Joyce Carol Oates, Ed Pavlić, Catherine Pierce, Kevin Prufer, Joshua Robbins, David Roderick, Jeffrey Schultz, Maggie Smith, Chet Weise, Josh Woods, and E. Lily Yu. Cover art by Jason Clark.

 

Apocalypse Now: Poems and Prose from the End of Days is edited by Andrew McFadyen-Ketchum, and fiction was selected by Alexander Lumans.

Alexander Lumans graduated from the MFA Fiction Program at Southern Illinois University Carbondale. His fiction has been published in or is forthcoming from Story Quarterly, Black Warrior Review, Cincinnati Review, Blackbird, Surreal South 2011, and The Book of Villains. He was a Tennessee Williams Scholar at the 2010 Sewanee Writers’ Conference and he won the 2011 Barry Hannah Fiction Prize from the Yalobusha Review. Recently, he was awarded a MacDowell Colony Fellowship for Fall 2011.

Andrew McFadyen-Ketchum‘s poems, essays, reviews, podcasts, and interviews recently appear or are forthcoming in The Writers Chronicle, The Southern Poetry Anthology, Volume VI: Tennessee, The Spoon River Poetry Review, Poet Lore, The Missouri Review, storySouth, InsideHigherEd.com, Eclipse, Copper Nickel, New Letters, Glimmer Train, Hayden’s Ferry Review, Potomac Review, and The Southern Indiana Review, among others. He writes a web-column, poetry=am^k, as a Contributing Editor for The Southern Indiana Review, and he is Founder and Editor of PoemoftheWeek.org, Managing Editor of AdHominem.weebly.com and Acquisitions Editor of Upper Rubber Boot Books. Andrew holds a Masters of Fine Arts Degree from Southern Illinois University – Carbondale and is an Adjunct Professor of Creative Writing and English at the University of Colorado – Denver, Metro State College of Denver, Community College of Denver, and CCCOnline. He currently lives in Denver, Colorado.

 

What people are saying about Apocalypse Now:

The first short story The Adjudicator, by Brian Evenson is stark and bleak in a post-apocalyptic, terrifyingly realistic world with just enough strangeness to keep you wondering. I can’t wait to read more of this book.

—Diane Severson, “Various and Sundry Science Fiction Poetry,” Amazing Stories, 22 February 2013.

In the midst of this hyperbolic fun, Apocalypse Now is a startlingly serious contribution. Six sections encompass 98 stories and poems, which are fairly evenly across the breadth of the book in tone and topic.
Lured in by the promise of big names like Joyce Carol Oates, Margaret Atwood and Paolo Bacigalupi, I fell in love with the sheer variety in this book. Covering more than traditional apocalypse scenarios, it’s a collection of absolute endings.

A story about anarchistic bees sits alongside a poem which describes a woman committing quiet suicide. David J. Daniels nervously relates the ripple-effect of his own mugging in This is the Pink before his spotlight is stolen by a group of cheese miners who are stranded on the moon.

Kelly Link’s surreal, neo-traditional folktale about feuding witches follows a description of God as a lion on the hunt.

I wasn’t sure what to expect of the poetry, but the standard was generally high. Different writers aimed for different things – it was surprising how many plumbed for humour, in the face of all that could be.

—Sarah Dunn, “Apocalypse Now: Revisiting the Daydream,” Nelson Mail, 8 February 2013.

Apocalypse Now: Poems and Prose from the End of Days is a treasure-chest of cataclysms. Lumans and McFadyen-Ketchum have ranged far across the landscape of contemporary English-language literature searching for glimpses of upheaval and ruin, and in doing so they have produced something unique: a survey of the present-day apocalyptic imagination in both poetry and fiction. If, like me, you’ve read much of the one and little of the other, you’re bound to make some compelling new discoveries here, and if you’ve read little of either, you’re in for one beautiful harrowing surprise after another.

— Kevin Brockmeier, author of The Illumination, The Brief History of the Dead and The View from the Seventh Layer

Warning: reading Apocalypse Now may result in side effects like chewed fingernails, heart palpitations, and paranoia so severe that you stockpile dried goods, fill the bathtub with water, hammer plywood over the windows, and oil your rifle.

— Benjamin Percy, author of Red Moon, The Wilding, Refresh, Refresh and The Language of Elk

Never before has humanity’s twilight shined so brightly. The poems and stories within Apocalypse Now glitter with a clarity and luster typically reserved for only the purest of gems or the most cutting of insights. The voices here have each taken their own, singular approach to a theme that is as ancient as humanity itself and, in doing so, created a unified theory of the apocalypse: a coming together of our fears, our hopes, our willingness to discover ourselves at the moment we have lost it all, the moment when we stand on the cusp of annihilation and, somehow, cannot look away… but can only sing. And this collection sings like no other.

— Jason Mott, author of The Returned

 

Table of Contents

(with links to works from the book available online)

Brian Evenson
     The Adjudicator
Rodney Jones
     Apocalyptic Narrative
Chet Weise
     An American Prayer for the Second Coming
     Jericho Trumpets
Joyce Carol Oates
     Thanksgiving
Judy Jordan
     At Winter’s Edge
     Moon of Hunger, Moon of Coyote Howl
     A Short Drop to Nothing
Ed Pavlic
     From: Arachnida Speak
Margaret Atwood
     The Silver Astroturfer
Andrew McFadyen-Ketchum
     when the dark heads of sleep
     Marysarias
David Roderick
     Target
Kelly Link
     Catskin
Marc McKee
     & I Don’t Sleep, I Don’t Sleep, I Don’t Sleep Till It’s Light
     We Are All Going to Die, and I Love You
     I Love You and We Are All Going to Die
     Electric Company
Darcie Dennigan
     Corinna A-Maying the Apocalypse
David J. Daniels
     This Is the Pink
Alexander Lumans
     All the Things the Moon is Not
Brian Barker
     Visions for the Last Night on Earth
     Gorbachev’s Ubi Sunt from the Future that Soon Will Pass
     The Last Songbird
     Lullaby for the Last Night on Earth
Maggie Smith
     Eliza
     Night of the Comet (1984)
     On the Beach (1959)
     The Quiet Earth (1985)
     When Worlds Collide (1951)
Paolo Bacigalupi
     The People of Sand and Slag
Simone Muench
     Wolf Centos
          Who will take the madness from the trees?
          I watch my life running away
          I have lost my being in so many beings:
          The wolf licks her cheeks with
          First frost blackens with a cloven hoof;
          How long have I left you?—played the wolf
Joshua Robbins
     Field Guide to the Second Coming
Tessa Mellas
     Blue Sky White
Jenna Bazzell
     Into the Damp Woods
     Wet Field
Charles Martin
     Taken Up
Kristin Bock
     Oracle
     Icescape
     Dear Life Form
     Early Gospel
     Copilot
Seth Fried
     The Siege
Keith Montesano
     Love Song for the End of the World
     Duet Near the End
     Journey’s “Don’t Stop Believin'” Finally Collapses the Radio Waves
Wayne Miller
     The Feast
     A History of Art
     A History of War
     VII.
     The Dead Moor Speaks
Josh Woods
     The Lawgiver
Nicky Beer
     Rimbaud’s Kraken
TR Hummer
     Post-American
     Ooo Baby Baby
     The Death of Neruda
     Corrosive Lyric
     Westbound: Little Cat Feet
     Eastbound: The Book of Enoch
     Terrorism
     Adornment on an Ancient Tomb in Tibet
     Fragment of a Perpetually Unfinished Field Guide
     Rx
E. Lily Yu
     The Cartographer Wasps and the Anarchist Bees
Jeffrey Schultz
     Weekday Apocalyptic
     J. Finds in His Pocket Neither Change nor Small Bills
Tina Connolly
     Recalculating
Kevin Prufer
     Apocalypse
     The Enormous Parachute
     Army Tales
     Who are our Barbarians?
          suburbia
          a poem of the museum
     What We Did With the Empire
Catherine Pierce
     Dear Atom Bomb,
     Emergence
     How it Ends: Three Cities
     Fire Blight
     Several Days Before the End of the World
Pinckney Benedict
     The Beginnings Of Sorrow
Davis McCombs
     Gnomon
     The Sharecroppers Nightshade
     Nineveh
     First Hard Freeze Wraith
     biomass: a genealogy lone
     wet [weather] spring[s]
     riddle:

2 comments 21 December 2012

hundreds of gourds

Wild celebration and exhaustion at Casa URB this week, because our Kickstarter campaign for Apocalypse Now has reached its goal! It’s still active until noon Central on Monday, and we’re hoping to make enough extra to print 250 extra books, to be able to sell them at some readings we have tentatively planned for Denver and Nashville and maybe some other places, and at the party we’ll be throwing at the AWP conference in March.

 
If you’re only interested in an ebook copy, this is still a good time to get it, because it’ll cost you $2 less than if you wait until it’s out on Amazon, B&N, the iStore, etc. (Our authors still get their regular royalties despite the discount, so no worries about exploitation. The only entities missing out are the corporations that run the online bookstores, which normally take 30 to 35% of the cover price.)

 

Apocalypse Now contributor Margaret Atwood was awarded the title of Companion of Literature, the highest honour in the Royal Society of Literature, on November 28th. A recording of her remarks will be available sometime in December in the RSL Library.

Vineland, New Jersey’s Cumberland County College is hosting Joyce Carol Oates as part of their One Book-One College reading campaign, on Tuesday, Dec. 4, at 7 p.m. It’s free and open to the public.

 

A Hundred Gourds has posted their December issue, with lots of 140 And Counting contributors in it: Jim Kacian is pictured at the 2012 Haiku Festival Aotearoa in Tauranga, New Zealand with one of his poems on the Haiku Pathway and in a Katikati pub; the issue contains haiku and tanka by Helen Buckingham (1, 2, 3), Chen-ou Liu (1, 2, 3, 4), Peter Newton (1, 2, 3, 4), and Christina Nguyen (1, 2); and, finally, John McManus has written a review of T.D Ingram‘s haiku ebook Hiss of Leaves.

Other news for 140 And Counting contributors: Miriam Sagan‘s short story “M.I.A.” appeared in issue 4 of Literary Orphans; Darusha Wehm‘s story “The Care and Feeding of Mammalian Bipeds, v. 2.1” was in Escape Pod on November 15th; and The Haiku Foundation has posted their Video Haiga #7: radium by Jim Kacian:

1 December 2012

50 cent party

News for 140 And Counting contributors: Miriam Sagan is doing a reading for her new book Seven Places in America: A Poetic Sojourn on October 30th at Collected Works Bookstore in Santa Fe; and, China Daily features Ken Liu (autoplays music).

Strange Horizons (whose funding drive is still going strong) has posted their monthly round-up of their contributors’ news, and they include some URB alums: Elizabeth Barrette has been talking about serial poetry at the Poetree Dreamwidth community, and Peg Duthie (who in addition to being in 140 And Counting, also published her collection Measured Extravagance with URB) has a poem + photograph combo (“Hide“) published by unFold.

News for Apocalypse Now: Poems and Prose from the End of Days contributors: Joyce Carol Oates is reading at New Jersey’s Ramapo Visiting Writers Series on November 12th; the UCD Advocate features Nicky Beer; and, Margaret Atwood is pairing with Naomi Alderman to write the young adult serial The Happy Zombie Sunrise Home. Incidentally, I had a chance to speak briefly with Atwood at the Nashville Public Library yesterday (where she was giving a public lecture about The Handmaid’s Tale and related topics) and she told me that her story in Apocalypse Now, “The Silver Astroturfer,” was written to be speculative, but that she’s since found out that it’s actually happening in China (she told me to google “the 50 cent kids“). Subscribers to the Sunday Times, by the way, can read it here (and the rest of you can read it when the book comes out).

28 October 2012

for anyone who passes

News for 140 And Counting contributors:River,” a short story by Richard Baldasty, is in the Fall 2012 issue of Ray’s Road Review; Julie Bloss Kelsey tells me her scifaiku poem “the perfect evening” was nominated for the 2012 Dwarf Stars Award and will appear in the upcoming anthology (congratulations!); the September 2012 issue of Heron’s Nest includes work by Andrew O. Dugas and Peter Newton; Chuck Von Nordheim‘s “Kelsy Copes With Her Husband’s Choise” was in Every Day Poets this week; aaaaand, the Science Fiction Poetry Association has posted a Halloween Poetry Reading which includes work by David C. Kopaska-Merkel. (In related news, URB editor Joanne Merriam will be guest-editing the April issue of the SFPA’s Eye to the Telescope; they’ll announce my theme and guidelines in January.)

 

News for Apocalypse Now: Poems and Prose from the End of Days contributors: Margaret Atwood will discuss her life and work on November 28th at The Royal Society of Literature; and Seth Fried will give a reading this Friday (October 5th), 7 p.m. at The Hinge Gallery, 410 N. Newstead Ave., Suite 4W, in St. Louis.

30 September 2012

Nashville Reads

News for 140 And Counting contributors:

Chen-ou Liu‘s “Maple Moon and Cherry Blossom: Selected Bilingual Haiku and Tanka” was featured on the Akita International Haiku network and translated into Japanese by Hidenori Hiruta.

Jonathan Pinnock‘s short story “The Joy Inside” has been shortlisted for the Bridgport Prize. He says, “this news should be tempered by the fact that there are apparently around a hundred stories on that shortlist” so this is more of a long list, but out of more than 6,000 entries, it’s still impressive.

 

News for Apocalypse Now: Poems and Prose from the End of Days contributors:

Margaret Atwood‘s The Handmaid’s Tale has been chosen for the Nashville Reads program, a new reading initiative to create a shared reading experience. Since Upper Rubber Boot Books is based in Nashville, we’re especially excited about this. We’ll be at the free public lecture by Atwood on October 27th. She has also won the 2012 Nashville Public Library Literary Award.

Darcie Dennigan is reading her work along with Eileen Myles and Matvei Yankelevich, and accompanied by DJ Shaki. This event is free and all ages, at 7 pm on September 27th, at the Yale Marsh Botanical Gardens in New Haven, CT (and it has a Facebook page).

Joyce Carol Oates picked five short story collections that have inspired her over at the Daily Beast.

 

In other news, we’re still collecting entries for the September Giveaway over at our Facebook page. Five people will win a copy of T.D. Ingram’s haiku chapbook Hiss of Leaves. We currently have two entrants, so your chances are pretty good. To enter, like our Facebook page, share the September giveaway post publicly on your Facebook page, and leave a comment on the giveaway post itself. The giveaway post originally went up September 3rd, but is pinned to the top of the page.

16 September 2012

“Does it matter that a reader doesn’t “like,” in the trivial way in which one might not “like” Chinese food, a classic like “Beowulf”?” – Joyce Carol Oates

I was excited to see this week that the 2012 Hugo Award Winners included Ken Liu (a 140 And Counting contributor) and E. Lily Yu (an Apocalypse Now: Poems and Prose from the End of Days contributor)!

 

News for other 140 And Counting contributors:

Berit Ellingsen weighs in on MIND MELD: Non-Anglo Presence in the Hugo Awards – Is it Possible? at SF Signal.

Chuck Von Nordheim‘s poem “Megan Considers Her ex’s New Girlfriend” is up at drown in my own fears.

 

News for other Apocalypse Now: Poems and Prose from the End of Days contributors:

An interview with Margaret Atwood appears in today’s Denver Post (where I was amused to see them ask her if she’s the Joyce Carol Oates of Canada, given Oates also appears in Apocalypse Now). If you’re in Denver, go see Atwood on Monday at the University of Denver’s Newman Center.

An interview with Joyce Carol Oates appears in this week’s Sunday Book Review in The New York Times.

Three poems by Catherine Pierce were Poem of the Week.

2 comments 9 September 2012

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