Posts tagged ‘Katharine E. K. Duckett’

We’re introducing a new reward!

A.C. Wise, author of The Ultra Fabulous Glitter Squadron Saves the World Again and The Kissing Booth Girl and Other Stories, will critique one short story for the lucky person to get to it first!

She’ll also shortly be posting an interview with Joanne Merriam and Octavia Cade, the editors of the anthologies, so keep an eye out for that at her website.

 

Hot. Soft. Fresh from the oven.

Today we’re exploring two stories of recreating a loved one over and over.

In Marie Vibbert’s humorous “Infinite Boyfriends,” the protagonist tries to find an alternate universe version of her boyfriend who isn’t a jerk. Vibbert writes:

My story started with a funny line someone said during conversation at the Clarion Writer’s Workshop. I don’t remember who said “Infinite boyfriends from infinite dimensions” but I wrote it down in my notebook and then, when I had to come up with a story idea for the next week’s workshop, well, there it was. The main character helped me get through writing—I based her entirely on my friend Stacey, and gave her the Green Road Observatory in East Cleveland, Ohio as her mad scientist lair.

Katharine E. K. Duckett’s “Gimme Sugar” (from which we take today’s title) is a dark tale of loss and baked goods. A lonely woman finds herself in a bakery that will recreate her ex-lover again and again as gingerbread with chocolate eyes, syrup-coated lips, braided licorice hair, gumdrop nipples, buttercream tattoos, and the scent of crushed cardamom, cinnamon, oranges, and honey warmed in the sun—but there’s a price to treating a woman you love as a consumable object.

 

About the Authors

Katharine E. K. Duckett‘s stories have appeared in Apex and Interzone, and have been reprinted in Wilde Stories 2015: The Year’s Best Gay Speculative Fiction and The Best of Apex: Volume I. She works in science fiction and fantasy publishing in New York City, and lives in Brooklyn with her wife.

Marie Vibbert’s work regularly appears in Analog and other top markets. Her short story “Keep Talking” won Apex Magazine’s Story of the Year and has been called “everything science fiction should be” by Oxford Culture Review. She has ridden 18% of the roller coasters in North America and played defensive end for the Cleveland Fusion women’s tackle football team.

15 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Sharp & Sugar Tooth

Print (978-1-937794-88-0).
Ebook (978-1-937794-89-7).

 
Go to: About | Reviews | Goodreads
Forthcoming 26 March 2019.

 

About

Sharp & Sugar Tooth: Women Up To No Good is a horror anthology of dark fiction and darker appetites, edited by Octavia Cade. Containing 22 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 22 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the third in the Women Up To No Good series, and is forthcoming on 26 March 2019.

 

Table of Contents

  • Kathleen Alcalá, “The Doll’s Eye” (original)
  • Betsy Aoki, “And When We Die They Will Consume Us” (original)
  • Joyce Chng, “Dear Son” (original)
  • Katharine E. K. Duckett, “Gimme Sugar” (original)
  • Anahita Eftekhari, “The Fool’s Feast” (original)
  • Chikodili Emelumadu, “Candy Girl” (first published in Apex Magazine, issue 66, November 2014)
  • Amelia Gorman, “She Makes the Deep Boil” (original)
  • Jasmyne J. Harris, “What the Bees Know About Discarded Girlish Organs” (original)
  • A. R. Henle, “Strong Meat” (original)
  • Crystal Lynn Hilbert, “Soul of Soup Bones” (first published in Apex Magazine, issue 61, June 2014)
  • Erin Horáková, “A Year Without the Taste of Meat” (original)
  • Kathryn McMahon, “The Honey Witch” (original)
  • H. Pueyo, “I Eat” (original)
  • D. A. Xiaolin Spires, “Bristling Skim” (original)
  • Rachael Sterling, “Alice Underground” (original)
  • Penny Stirling, “Red, From the Heartwood” (original)
  • Catherynne M. Valente, “The Lily and the Horn” (first published in Fantasy Magazine, issue 59, Queers Destroy Fantasy!, 2015)
  • Sabrina Vourvoulias, “A Fish Tale” (original)
  • Damien Angelica Walters, “A Lie You Give, And Thus I Take” (first published in Lightspeed, issue 55, December 2014)
  • Rem Wigmore, “Who Watches” (original)
  • Alyssa Wong, “Hungry Daughters of Starving Mothers” (first published in Nightmare, issue 37, Queers Destroy Horror!, 2015)
  • Caroline M. Yoachim, “The Carnival Was Eaten, All Except the Clown” (first published in Electric Velocipede, issue 27, 2013 and republished at Drabblecast)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

25 January 2018


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