Posts tagged ‘H. Pueyo’

There’s a slight green sheen. Not from the lichen or whatever, just normal rot.

About today’s two stories, editor Octavia Cade writes:

Are there limits to the consumptions we’ll perform as a community, as H. Pueyo argues in “I Eat”? When we choose, as ecosystem actors, to act to the detriment of that ecosystem as a whole, is there ever any coming back from that? We tell ourselves stories of single persons and change, but there are times this takes on the sticky-sweet patina of myth, and by framing her question within a post-apocalyptic environment Pueyo questions the choices we can make as part of a learning and adaptive community.

In the absence of that community we lose a culture. In the second post- apocalyptic story of the anthology, Rem Wigmore in “Who Watches” follows the single survivor of a lichen infestation that is so transformative its victims are no longer human. They remain edible, but as Sam navigates the wreck of her old life, eating what was once her own kind, she’s still the last gasp of an old method of consumption. The new has adapted, evolved, and has its own method of eating outsiders, turning them into something else.

 

Also!

We have a little news: Broad Knowledge contributor Rati Mehrotra just had another of her stories longlisted for the Sunburst Awards! (Ursula Pflug, who had a story in our anthology The Museum of All Things Awesome and That Go Boom, is also on the list.) Congratulations to all!

We’ve also made the weekly roundup at Paper Cat Press, and at the International Examiner: Seattle’s Asian Pacific Islander nonprofit news source since 1974.

 

About the Authors

H. Pueyo is a South American writer, currently living somewhere in Brazil. She writes short stories and comics of many genres, published both in English and Portuguese. Find her portfolio at querellepueyo.com or follow her on Twitter: @argiopidae.

Rem Wigmore, also published under Summer Wigmore, is a speculative fiction writer based in Wellington. Their first novel The Wind City was published in 2013 by Steam Press and they had a short story in the 2016 At the Edge anthology. They like coffee, snacks, and destroying the patriarchy.

24 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Sharp & Sugar Tooth

Print (978-1-937794-88-0).
Ebook (978-1-937794-89-7).

 
Go to: About | Reviews | Goodreads
Forthcoming 26 March 2019.

 

About

Sharp & Sugar Tooth: Women Up To No Good is a horror anthology of dark fiction and darker appetites, edited by Octavia Cade. Containing 22 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 22 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the third in the Women Up To No Good series, and is forthcoming on 26 March 2019.

 

Table of Contents

  • Kathleen Alcalá, “The Doll’s Eye” (original)
  • Betsy Aoki, “And When We Die They Will Consume Us” (original)
  • Joyce Chng, “Dear Son” (original)
  • Katharine E. K. Duckett, “Gimme Sugar” (original)
  • Anahita Eftekhari, “The Fool’s Feast” (original)
  • Chikodili Emelumadu, “Candy Girl” (first published in Apex Magazine, issue 66, November 2014)
  • Amelia Gorman, “She Makes the Deep Boil” (original)
  • Jasmyne J. Harris, “What the Bees Know About Discarded Girlish Organs” (original)
  • A. R. Henle, “Strong Meat” (original)
  • Crystal Lynn Hilbert, “Soul of Soup Bones” (first published in Apex Magazine, issue 61, June 2014)
  • Erin Horáková, “A Year Without the Taste of Meat” (original)
  • Kathryn McMahon, “The Honey Witch” (original)
  • H. Pueyo, “I Eat” (original)
  • D. A. Xiaolin Spires, “Bristling Skim” (original)
  • Rachael Sterling, “Alice Underground” (original)
  • Penny Stirling, “Red, From the Heartwood” (original)
  • Catherynne M. Valente, “The Lily and the Horn” (first published in Fantasy Magazine, issue 59, Queers Destroy Fantasy!, 2015)
  • Sabrina Vourvoulias, “A Fish Tale” (original)
  • Damien Angelica Walters, “A Lie You Give, And Thus I Take” (first published in Lightspeed, issue 55, December 2014)
  • Rem Wigmore, “Who Watches” (original)
  • Alyssa Wong, “Hungry Daughters of Starving Mothers” (first published in Nightmare, issue 37, Queers Destroy Horror!, 2015)
  • Caroline M. Yoachim, “The Carnival Was Eaten, All Except the Clown” (first published in Electric Velocipede, issue 27, 2013 and republished at Drabblecast)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

25 January 2018


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