Posts tagged ‘Andrew McFadyen-Ketchum’

Happy New Year!

Lots of news to share! First, our Kickstarter campaign for How to Live on Other Planets: A Handbook for Aspiring Aliens has 10 days left to go—get your pre-ordered copy now!

Secondly, the deadline for submissions to The Museum of All Things Awesome And That Go Boom is coming up on Sunday.

Finally, there’s tons of new reading out from, and news for, Upper Rubber Boot authors since our last round-up over the summer!

Corey Mesler, author of The Sky Needs More Work, was discussed recently in The Commercial Appeal Memphis‘s article “2014 in Review: Remembering the year’s best Memphis poetry“:

As both a producer and a retailer of poetry, Mesler is not only grateful to patron saint of poetry Keillor, but also is well positioned to affirm the accuracy of a quote he recalls by novelist John Fowles: “Poetry, alas, is something you can’t sell.”

But Mesler is dauntless: “If you want to talk magic, I’d like more people to leave their homes occasionally to visit the bookstore to hear a poet read. How nice it is to hear a poet read his or her own words! How nice to know that you can take those words home with you in little packets called books!”

TheSkyNeedsMoreWork-Cover

Lyn Lifshin, author of Marilyn Monroe: Poems, has a new book out with Glass Lyre Press entitled Femme Eterna.

Soles author Mari Ness has a poem in Goblin Fruit.

Apocalypse Now: Poems and Prose from the End of Days contributors:

How to Live on Other Planets: A Handbook for Aspiring Aliens contributors:

Hope you all have a happy New Year!

1 January 2015

Hey, how about some contributor news

Well, it’s been awhile since I’ve posted contributor news, since I’ve been pretty busy with our new projects, like the Floodgate Poetry Series, the Soles Series of Stories, our forthcoming 2015 anthology, How to Live on Other Planets: A Handbook for Aspiring Aliens, and another anthology still being formed, co-edited by H. L. Nelson and me, Choose Wisely: 35 Women Up To No Good. I’m pretty psyched about all of these projects.

 

…on to the news!

Lyn Lifshin, whose Marilyn Monroe: Poems we put back into circulation in December, has a new book of poems, Malala, out from Poetic Matrix Press.

 

News for Apocalypse Now: Poems and Prose from the End of Days contributors:

zombie
  • Tina Connolly‘s Copperhead (sequel to the Nebula-nominated Ironskin) came out in November, and her story “On the Eyeball Floor”, which first appeared in Strange Horizons, came out in translation in the Argentinian magazine La Idea Fija. Her “Flash Bang Remember,” co-written with Caroline M. Yoachim, was featured in StarShipSofa 320.
  • Seth Fried‘s story “Hello Again” is in the Spring 2014 issue of Tin House (and you’ll have to buy a copy to read it).
indecency
mcfadyen
  • Andrew McFadyen-Ketchum‘s poetry collection Ghost Gear, a 2013 Miller Williams Poetry Prize finalist, was released by University of Arkansas Press.
  • Tessa Mellas has a new book of short fiction, Lungs Full of Noise, out with University of Iowa Press.
Mellas_comp1
  • Chet Weise is the co-editor, with Third Man co-founder Ben Swank, of Language Lessons: Volume 1, the debut book by Third Man Books (a new division of Nashville’s Third Man Records), which was celebrated at AWP. Contributors include Jake Adam York, C.D. Wright, Brian Barker, and me.

 

And for 140 And Counting contributors:

  • David C. Kopaska-Merkel‘s poem, “Spark,” was in Polu Texni, and his story “A Better Place” is in the December issue of The Fifth Di….

30 March 2014

Floodgate

I’m struck by the distinct differences in each collection, and yet how the volume somehow holds together as a piece in itself. . . . It offers all of the advantages of the chapbook with the added spark of three voices placed side by side, so that the poems of one poet linger and influence the reading of the next. —Sandy Longhorn

 

Chapbooks—short books under 40 pages—arose when printed books became affordable in the 16th century. In the tradition of 18th and 19th century British and American literary annuals and the Penguin Modern Poets Series of the ’60s and ’70s, Floodgate Poetry Series: Three Chapbooks in a Single Volume houses emerging and established poets in innovative and attractive editions.

Floodgate is edited by Andrew McFadyen-Ketchum and is published annually in autumn. Submissions to Floodgate are currently by invitation only.

 

Books in the series

Released 15 November 2016, Floodgate Poetry Series Vol. 3 comprises: brothers Anders and Kai Carlson-Wee‘s Northern Corn, a train trip across an America of dust and dignity; Begotten, co-written by Cave Canem fellows F. Douglas Brown and Geffrey Davis, which explores fatherhood in the era of Black Lives Matter; and Enid Shomer‘s environmental tour-de-force Driving through the Animal.

More | Buy
floodgate3-printcover

 

  • The argument Northern Corn makes in poem after beautiful poem—the eyes are connected to the mouth is connected to the heart—is one I am glad is in the world. —Ross Gay
  • “We like to say that we kind of beg, borrow and steal,” said Brown. “We beg one another to become better fathers, through the work and our conversations. We borrow from the things we are reading, and other people who are working with the same themes. And we steal from one another.” —Elizabeth Flock, “Two fathers use poems to teach their kids about growing up black in America,” PBS Newshour Poetry, February 13, 2017
  • Delight in Enid Shomer as the record keeper of varied and shifting coastlines—those of vital literal and figurative substance. —Katherine Soniat

 

Released on 17 November 2015, Floodgate Poetry Series Vol. 2 comprises: Kallie Falandays‘ violently playful Tiny Openings Everywhere; Aaron Jorgensen-Briggs‘ intimate and meditative Score for a Burning Bridge; and Hunger, Judy Jordan‘s chronicle of her time living in a Virginia greenhouse that continues (and nearly concludes) the story she started in her first two books, Carolina Ghost Woods and 60¢ Coffee and a Quarter to Dance.

More | Buy
floodgate_coverart_no2_2015_6x9_front

 

  • Welcome to the Kallieverse, which shares the everyday pleasures and perils of our world, but seems to obey slightly different laws of physics and tilts its language in new intriguing ways. —Albert Goldbarth
  • There is a stillness and attentiveness in Aaron Jorgensen-Briggs’s Score for a Burning Bridge, an abiding quiet, as if the poems are trying not to scare something wild nearby. —Maggie Smith
  • This is a great American poem. Jordan tells the truth of a life as split open by the world—by life on this earth with other kinds of beings, human and other, with dreams and ghosts, machinery, between the visible and invisible. The language is thick, allusive, rich, dense. She turns scalding materials into gorgeous art. —Adrienne Rich

 

Released on 17 November 2014, Floodgate Poetry Series Vol. 1 comprises: Jenna Bazzell‘s profoundly centered Homeland; Martin Anthony Call‘s The Fermi Sea, lost love in a near future of nanobots, holograms, and urban decay; and Picasso/Mao, Campbell McGrath‘s persona poems in the voice of the two historical figures.

More | Buy
floodgate_coverart_no1_2014_6x9_2592x3888

 

  • It has been said that literature should either make the familiar strange or the strange familiar; Homeland does both with alacrity. —Okla Elliott
  • Haunting and urgent, Call has found a line and a music as arresting as it is gratifying. A remarkable collection! —James Kimbrell
  • Ample, dazzling, and elegantly crafted, these poems demonstrate a great mind enacting other great minds. Oscar Wilde once wrote, “A mask tells us more than a face.” These McGrath poems tell us much more than biography—they demonstrate cultural shifts and perception, a sophisticated and compassionate worldview, the poet’s intellect shining through. —Denise Duhamel

21 October 2013

Alexander Lumans

Alexander Lumans graduated from the MFA Fiction Program at Southern Illinois University Carbondale. His fiction has been published in or is forthcoming from Story Quarterly, Black Warrior Review, Cincinnati Review, Blackbird, Surreal South 2011, and The Book of Villains. He was a Tennessee Williams Scholar at the 2010 Sewanee Writers’ Conference and he won the 2011 Barry Hannah Fiction Prize from the Yalobusha Review. Recently, he was awarded a MacDowell Colony Fellowship for Fall 2011.

 

Books for Upper Rubber Boot:

Lumans is Fiction Editor of Apocalypse Now: Poems and Prose from the End of Days.

21 December 2012

Andrew McFadyen-Ketchum

Andrew McFadyen-Ketchum is the author of Ghost Gear (University of Arkansas Press, 2014, Finalist for 2014 Foreword ReviewsINDIEFAB Book of the Year Award, Finalist for the Colorado Book Award), series editor of the Floodgate Poetry Series: Three Chapbooks by Three Poets in a Single Volume (Upper Rubber Boot Books, annually starting in 2014), founder and Editor-in-Chief of PoemoftheWeek.org, and editor of Warning! Poems May Be Longer Than They Appear: An Anthology of LongISH Poems (forthcoming) and Apocalypse Now: Poems and Prose from the End of Days (Upper Rubber Boot Books, 2012).

His poems, reviews, interviews, and podcasts have appeared in journals such as The Writer’s Chronicle, The Southern Poetry Anthology, Glimmer Train, American Literary Review, The Spoon River Poetry Review, The Missouri Review, storySouth, Blackbird, InsideHigherEd.com, and Hayden’s Ferry Review, among others.

Andrew holds a Masters of Fine Arts Degree from Southern Illinois University – Carbondale, is Acquisitions Editor for Upper Rubber Boot Books, and is a contributing-editor for The Southern Indiana Review.

He is also an award-winning freelance editor, writing coach, and instructor of Creative Writing and English at the University of Colorado Boulder.

 

Books for Upper Rubber Boot:

McFadyen-Ketchum is Series Editor for the Floodgate Poetry Series.

Floodgate Poetry Series Vol. 3, containing a poetry chapbook by Enid Shomer, another chapbook co-written by Cave Canem fellows F. Douglas Brown and Geffrey Davis, and a third chapbook co-written by brothers Anders and Kai Carlson-Wi, will be released in November 2016.

 
Floodgate Poetry Series Vol. 2, containing poetry by Kallie Falandays, Aaron Jorgensen-Briggs, and Judy Jordan, was released on 17 November 2015. floodgate_coverart_no2_2015_6x9_front
Floodgate Poetry Series Vol. 1, containing poetry by Jenna Bazzell, Martin Anthony Call and Campbell McGrath, was released on 17 November 2014. floodgate_coverart_no1_2014_6x9_2592x3888
McFadyen-Ketchum was Editor and Poetry Editor of Apocalypse Now: Poems and Prose from the End of Days, which was released 21 December 2012.

21 December 2012

Apocalypse Now

How will the end come? What will we do when all the lights go out?

Winner of the Nashville Scene‘s Best Literary Anthology 2013.

Every society and every generation has its version of the apocalypse: swine flu, genetic mutation, global warming, nuclear fallout, the second coming, peak oil, mass extinction, giant irradiated ants, zombies… Apocalypse Now: Poems and Prose from the End of Days is the first anthology of its kind to bring together the poetry and prose of some of America’s finest (though not always most well-known) literary voices with an eye for the literary and the popular, for story and lyric, for the past and the future, for the psychological and the physical, for the real and the fantastic.

Missy, the single mother of Margaret Atwood‘s “The Silver Astroturfer,” spends her days in her basement of computers churning out copy under various aliases (“ExCodFisherman” or “LeglessVeteran” or “LadyDuckHunter”) in order to manipulate the daily news. Davis McCombs poems tell the story of a dying tobacco industry in the South and of the killing of the last gray wolf in Edmonson County, Kentucky.

Rodney Jones‘s “Apocalyptic Narrative” opens in a post-apocalyptic United States in which our hero survives via c-rations and government cheese in an abandoned cave. Joyce Carol Oates‘s “Thanksgiving” depicts a father and daughter who venture out to buy food for their Thanksgiving dinner because the mother is ill. This seemingly ordinary trip, however, becomes decidedly unordinary when our assumptions about their world quickly crumble.

Judy Jordan‘s poems examine humankind’s slow destruction of the earth while Paolo Bacigalupi‘s story, “The People of Sand and Slag,” looks at how we would live post-global warming via three explorers who utilize the environment itself to remake their decaying bodies.

Chet Weise‘s poems tell of the sorely under-reported floods that overwhelmed Nashville, Tennessee in May 2010 in which the Cumberland River rose twelve feet above flood stage and twenty-one people were killed. Pinckney Benedict‘s “The Beginnings of Sorrow” is a deeply disturbing take on metamorphoses as well as apocalypses both large and small, centering on a rural couple with a dog possessed by his master’s deceased and lust-sick father.

Authors include Margaret Atwood, Paolo Bacigalupi, Brian Barker, Jenna Bazzell, Nicky Beer, Pinckney Benedict, Kristin Bock, Tina Connolly, David J. Daniels, Darcie Dennigan, Brian Evenson, Seth Fried, TR Hummer, Rodney Jones, Judy Jordan, Kelly Link, Alexander Lumans, Charles Martin, Davis McCombs, Andrew McFadyen-Ketchum, Marc McKee, Tessa Mellas, Wayne Miller, Simone Muench, Keith Montesano, Joyce Carol Oates, Ed Pavlić, Catherine Pierce, Kevin Prufer, Joshua Robbins, David Roderick, Jeffrey Schultz, Maggie Smith, Chet Weise, Josh Woods, and E. Lily Yu. Cover art by Jason Clark.

 

Apocalypse Now: Poems and Prose from the End of Days is edited by Andrew McFadyen-Ketchum, and fiction was selected by Alexander Lumans.

Alexander Lumans graduated from the MFA Fiction Program at Southern Illinois University Carbondale. His fiction has been published in or is forthcoming from Story Quarterly, Black Warrior Review, Cincinnati Review, Blackbird, Surreal South 2011, and The Book of Villains. He was a Tennessee Williams Scholar at the 2010 Sewanee Writers’ Conference and he won the 2011 Barry Hannah Fiction Prize from the Yalobusha Review. Recently, he was awarded a MacDowell Colony Fellowship for Fall 2011.

Andrew McFadyen-Ketchum‘s poems, essays, reviews, podcasts, and interviews recently appear or are forthcoming in The Writers Chronicle, The Southern Poetry Anthology, Volume VI: Tennessee, The Spoon River Poetry Review, Poet Lore, The Missouri Review, storySouth, InsideHigherEd.com, Eclipse, Copper Nickel, New Letters, Glimmer Train, Hayden’s Ferry Review, Potomac Review, and The Southern Indiana Review, among others. He writes a web-column, poetry=am^k, as a Contributing Editor for The Southern Indiana Review, and he is Founder and Editor of PoemoftheWeek.org, Managing Editor of AdHominem.weebly.com and Acquisitions Editor of Upper Rubber Boot Books. Andrew holds a Masters of Fine Arts Degree from Southern Illinois University – Carbondale and is an Adjunct Professor of Creative Writing and English at the University of Colorado – Denver, Metro State College of Denver, Community College of Denver, and CCCOnline. He currently lives in Denver, Colorado.

 

What people are saying about Apocalypse Now:

The first short story The Adjudicator, by Brian Evenson is stark and bleak in a post-apocalyptic, terrifyingly realistic world with just enough strangeness to keep you wondering. I can’t wait to read more of this book.

—Diane Severson, “Various and Sundry Science Fiction Poetry,” Amazing Stories, 22 February 2013.

In the midst of this hyperbolic fun, Apocalypse Now is a startlingly serious contribution. Six sections encompass 98 stories and poems, which are fairly evenly across the breadth of the book in tone and topic.
Lured in by the promise of big names like Joyce Carol Oates, Margaret Atwood and Paolo Bacigalupi, I fell in love with the sheer variety in this book. Covering more than traditional apocalypse scenarios, it’s a collection of absolute endings.

A story about anarchistic bees sits alongside a poem which describes a woman committing quiet suicide. David J. Daniels nervously relates the ripple-effect of his own mugging in This is the Pink before his spotlight is stolen by a group of cheese miners who are stranded on the moon.

Kelly Link’s surreal, neo-traditional folktale about feuding witches follows a description of God as a lion on the hunt.

I wasn’t sure what to expect of the poetry, but the standard was generally high. Different writers aimed for different things – it was surprising how many plumbed for humour, in the face of all that could be.

—Sarah Dunn, “Apocalypse Now: Revisiting the Daydream,” Nelson Mail, 8 February 2013.

Apocalypse Now: Poems and Prose from the End of Days is a treasure-chest of cataclysms. Lumans and McFadyen-Ketchum have ranged far across the landscape of contemporary English-language literature searching for glimpses of upheaval and ruin, and in doing so they have produced something unique: a survey of the present-day apocalyptic imagination in both poetry and fiction. If, like me, you’ve read much of the one and little of the other, you’re bound to make some compelling new discoveries here, and if you’ve read little of either, you’re in for one beautiful harrowing surprise after another.

— Kevin Brockmeier, author of The Illumination, The Brief History of the Dead and The View from the Seventh Layer

Warning: reading Apocalypse Now may result in side effects like chewed fingernails, heart palpitations, and paranoia so severe that you stockpile dried goods, fill the bathtub with water, hammer plywood over the windows, and oil your rifle.

— Benjamin Percy, author of Red Moon, The Wilding, Refresh, Refresh and The Language of Elk

Never before has humanity’s twilight shined so brightly. The poems and stories within Apocalypse Now glitter with a clarity and luster typically reserved for only the purest of gems or the most cutting of insights. The voices here have each taken their own, singular approach to a theme that is as ancient as humanity itself and, in doing so, created a unified theory of the apocalypse: a coming together of our fears, our hopes, our willingness to discover ourselves at the moment we have lost it all, the moment when we stand on the cusp of annihilation and, somehow, cannot look away… but can only sing. And this collection sings like no other.

— Jason Mott, author of The Returned

 

Table of Contents

(with links to works from the book available online)

Brian Evenson
     The Adjudicator
Rodney Jones
     Apocalyptic Narrative
Chet Weise
     An American Prayer for the Second Coming
     Jericho Trumpets
Joyce Carol Oates
     Thanksgiving
Judy Jordan
     At Winter’s Edge
     Moon of Hunger, Moon of Coyote Howl
     A Short Drop to Nothing
Ed Pavlic
     From: Arachnida Speak
Margaret Atwood
     The Silver Astroturfer
Andrew McFadyen-Ketchum
     when the dark heads of sleep
     Marysarias
David Roderick
     Target
Kelly Link
     Catskin
Marc McKee
     & I Don’t Sleep, I Don’t Sleep, I Don’t Sleep Till It’s Light
     We Are All Going to Die, and I Love You
     I Love You and We Are All Going to Die
     Electric Company
Darcie Dennigan
     Corinna A-Maying the Apocalypse
David J. Daniels
     This Is the Pink
Alexander Lumans
     All the Things the Moon is Not
Brian Barker
     Visions for the Last Night on Earth
     Gorbachev’s Ubi Sunt from the Future that Soon Will Pass
     The Last Songbird
     Lullaby for the Last Night on Earth
Maggie Smith
     Eliza
     Night of the Comet (1984)
     On the Beach (1959)
     The Quiet Earth (1985)
     When Worlds Collide (1951)
Paolo Bacigalupi
     The People of Sand and Slag
Simone Muench
     Wolf Centos
          Who will take the madness from the trees?
          I watch my life running away
          I have lost my being in so many beings:
          The wolf licks her cheeks with
          First frost blackens with a cloven hoof;
          How long have I left you?—played the wolf
Joshua Robbins
     Field Guide to the Second Coming
Tessa Mellas
     Blue Sky White
Jenna Bazzell
     Into the Damp Woods
     Wet Field
Charles Martin
     Taken Up
Kristin Bock
     Oracle
     Icescape
     Dear Life Form
     Early Gospel
     Copilot
Seth Fried
     The Siege
Keith Montesano
     Love Song for the End of the World
     Duet Near the End
     Journey’s “Don’t Stop Believin'” Finally Collapses the Radio Waves
Wayne Miller
     The Feast
     A History of Art
     A History of War
     VII.
     The Dead Moor Speaks
Josh Woods
     The Lawgiver
Nicky Beer
     Rimbaud’s Kraken
TR Hummer
     Post-American
     Ooo Baby Baby
     The Death of Neruda
     Corrosive Lyric
     Westbound: Little Cat Feet
     Eastbound: The Book of Enoch
     Terrorism
     Adornment on an Ancient Tomb in Tibet
     Fragment of a Perpetually Unfinished Field Guide
     Rx
E. Lily Yu
     The Cartographer Wasps and the Anarchist Bees
Jeffrey Schultz
     Weekday Apocalyptic
     J. Finds in His Pocket Neither Change nor Small Bills
Tina Connolly
     Recalculating
Kevin Prufer
     Apocalypse
     The Enormous Parachute
     Army Tales
     Who are our Barbarians?
          suburbia
          a poem of the museum
     What We Did With the Empire
Catherine Pierce
     Dear Atom Bomb,
     Emergence
     How it Ends: Three Cities
     Fire Blight
     Several Days Before the End of the World
Pinckney Benedict
     The Beginnings Of Sorrow
Davis McCombs
     Gnomon
     The Sharecroppers Nightshade
     Nineveh
     First Hard Freeze Wraith
     biomass: a genealogy lone
     wet [weather] spring[s]
     riddle:

2 comments 21 December 2012

copper nickel and more

News for Apocalypse Now: Poems and Prose from the End of Days contributors: the new issue of Copper Nickel contains work by David J. Daniels, David Roderick and Andrew McFadyen-Ketchum; David J. Daniels also has three poems in thrush; Simone Muench will be reading in St. Louis, MO on Friday Nov 9th; and, Catherine Pierce has been interviewed by Prairie Schooner.

Andrew McFadyen-Ketchum will be reading some Apocalyptic poems at the Gypsy House Reading Series tomorrow (Thursday Nov 1st) at 7 pm at the Gypsy House Coffeeshop in Denver, CO with Aby Kaupang and Stant Litore.

Finally, URB editor Joanne Merriam has a guest blog at Novel Conceptions on confusing fiction with autobiography.

31 October 2012


Calendar

December 2017
S M T W T F S
« Nov    
 12
3456789
10111213141516
17181920212223
24252627282930
31  

Posts by Month

Posts by Category