Posts tagged ‘Anahita Eftekhari’

This is what the apocalypse looks like

Yesterday we had two interviews and a guest post all go live!

  • Quick Questions – Octavia Cade and Joanne Merriam of Women Up To No Good, from Charles Payseur. For me dark fiction is inextricably linked to temptation, to identification with the wrong. It’s one thing to know that poisoning is immoral in broad daylight, and quite another to be brought to feel, though fiction, that poison can be an excusable and tempting thing. It’s a temporary identification, perhaps, but I tend to think that deliberately acknowledging our own capacity for identification with evil is a form of inoculation towards it. In that way horror can be a very empowering genre – at its best, it’s all about self-knowledge and perseverance in the face of failure.
  • Interview with Joanne Merriam, editor of Broad Knowledge, from Sarena Ulibarri. When I’m selecting stories, I try to read blind by saving all of the stories under their titles and removing author identities. Of course, it’s never entirely blind because I can recognize some writers’ voices, but I make the attempt, which means that I have to address diversity in my submissions pool before I get to that largely-blind selection stage.
  • GUEST POST: How A Small Press Is Born, from Alexa at A Thousand Worlds. We’re living in interesting times in the book industry. Issues like monopoly power and predatory pricing, piracy, authors’ rights, and fair compensation are all coming to the forefront. Opportunities to interact in new ways are growing as technology matures. Writers can contact readers more directly. Readers can become book critics with tools like NetGalley. And tiny publishers like me can use tools like Kickstarter to reach readers directly and ask for pre-orders so they can pay their writers professional rates without going bankrupt.

On to our feature!

Today we feature two stories of sisters conspiring to do magic with disastrous results.

In Anahita Eftekhari’s “A Fool’s Feast,” two sisters are expected to go hungry when their brother shows up with his bride and her whole family (“I closed my eyes, counted to five, and opened them again. But they were still there. Car after car. A whole herd of them. Men and women inside. Kids too. My brother’s bride’s people.”) and their mother doesn’t have enough food—so they “help” with a little magic they inherited from their dead father.

In Vida Cruz’s “Blushing Blue,” two sisters use magic to replace their dead mother and comfort their grieving father. Vida Cruz writes:

In 2013, a Category 5 typhoon called Haiyan swept across central Philippines, leaving thousands dead in its wake. I was working as an online journalist-editor at the time, and my job required me to monitor the television for news. The torn roofs, leveled buildings, the bodies floating in filthy water, and an interview with a man who walked six hours while carrying his dead daughter made me think this, this is what the apocalypse looks like. Fast forward a few months later, at the Clarion Science Fiction and Fantasy Writers Workshop in San Diego, I still couldn’t get all that destruction out of my head. Combined with a classmate’s excellent tattoo of a galleon sailing the seas, I tried to exorcise every image of that watery hell with tattoo magic during my fifth week story, which turned out to be “Blushing Blue.” I let it sit for a few years because, after all that time, Haiyan was still too fresh. When submissions for Broad Knowledge opened up, I felt that I could take a look at this story without crying up a storm myself (after all this time, that lasts for about 10 minutes). Rebuilding efforts post-Haiyan are still ongoing; if you’d like to know how to help, this charity is a good place to start.

Go to the Kickstarter to donate and pre-order now!

About the Authors

Vida Cruz is a Filipina born, bred, and based in the Philippines. A 2017 Writers of the Future winner and a 2014 graduate of the Clarion Science Fiction and Fantasy Writers Workshop, her fiction has been published or is forthcoming in Writers of the Future vol. 34, Expanded Horizons, Lontar: The Journal of Southeast Asian Speculative Fiction, Philippine Speculative Fiction, and the Australian fantasy anthology Phantazein. In her spare time, she draws pretty things, pets all the dogs, and claws at her towering TBR pile. Tweet her at @laviecestmoi. If you’d like to help the rebuilding or rehabilitation efforts for the Typhoon Haiyan/Yolanda survivors, this charity is a good place to make inquiries.

Anahita Eftekhari is an Iranian-Canadian who often struggles with her views regarding gender and women’s role in society. She says, “Writing is where I play around with the ideas I don’t dare voice, and where I explore them in the context of the culture that quietly remains a part of me, despite my earlier attempts at abandoning it. As someone with a background in genetics and half a decade of experience teaching ESL in Asia and Europe, I’m not one to limit myself to a single path, and hope my writing displays my appetite for bringing forth overlooked POVs and openness.”

7 June 2018

Kickstarting Women Up To No Good!


Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.


Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Sharp & Sugar Tooth

Print (978-1-937794-88-0).
Ebook (978-1-937794-89-7).

Go to: About | Reviews | Goodreads
Forthcoming 26 March 2019.



Sharp & Sugar Tooth: Women Up To No Good is a horror anthology of dark fiction and darker appetites, edited by Octavia Cade. Containing 22 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 22 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the third in the Women Up To No Good series, and is forthcoming on 26 March 2019.


Table of Contents

  • Kathleen Alcalá, “The Doll’s Eye” (original)
  • Betsy Aoki, “And When We Die They Will Consume Us” (original)
  • Joyce Chng, “Dear Son” (original)
  • Katharine E. K. Duckett, “Gimme Sugar” (original)
  • Anahita Eftekhari, “The Fool’s Feast” (original)
  • Chikodili Emelumadu, “Candy Girl” (first published in Apex Magazine, issue 66, November 2014)
  • Amelia Gorman, “She Makes the Deep Boil” (original)
  • Jasmyne J. Harris, “What the Bees Know About Discarded Girlish Organs” (original)
  • A. R. Henle, “Strong Meat” (original)
  • Crystal Lynn Hilbert, “Soul of Soup Bones” (first published in Apex Magazine, issue 61, June 2014)
  • Erin Horáková, “A Year Without the Taste of Meat” (original)
  • Kathryn McMahon, “The Honey Witch” (original)
  • H. Pueyo, “I Eat” (original)
  • D. A. Xiaolin Spires, “Bristling Skim” (original)
  • Rachael Sterling, “Alice Underground” (original)
  • Penny Stirling, “Red, From the Heartwood” (original)
  • Catherynne M. Valente, “The Lily and the Horn” (first published in Fantasy Magazine, issue 59, Queers Destroy Fantasy!, 2015)
  • Sabrina Vourvoulias, “A Fish Tale” (original)
  • Damien Angelica Walters, “A Lie You Give, And Thus I Take” (first published in Lightspeed, issue 55, December 2014)
  • Rem Wigmore, “Who Watches” (original)
  • Alyssa Wong, “Hungry Daughters of Starving Mothers” (first published in Nightmare, issue 37, Queers Destroy Horror!, 2015)
  • Caroline M. Yoachim, “The Carnival Was Eaten, All Except the Clown” (first published in Electric Velocipede, issue 27, 2013 and republished at Drabblecast)



Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

25 January 2018


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