Posts tagged ‘Amelia Gorman’

The day dawns as red as fresh blood on a fishing boat’s deck.

In her introduction to Sharp & Sugar Tooth, editor Octavia Cade writes:

. . . the coastal community of Amelia Gorman’s “She Makes the Deep Boil” is dependent on the sea to sate their hunger. And it does, mostly, supplying enough to keep a town with at least pretensions to vibrancy, but the giant creatures of the sea have their own prices and bargains. It’s in the similarity between hunters that the horror in this story lies, in the idea that we are part of a community of animals—part of an ecosystem, and for all the potential generosity of our natures there are some biological restrictions we can’t move beyond, and some consents we won’t ask, or honor.

Today we feature stories of the sea, and what communities dependent on it will do to placate the creatures within. In addition to Gorman’s story above, below are excerpts from Wendy Nikel’s “Maidens of the Sea” (from which our title comes) and Premee Mohamed’s “Below the Kirk, Below the Hill,” both in Broad Knowledge.

Premee Mohamed writes:

My inspiration for “Below the Kirk, Below the Hill” was two of my previous stories, oddly enough. Some of my work has recently ended up in a world in which ‘old gods’ are real and need to be regularly sacrificed to and placated in order to coexist with humans. In “Willing,” the gods are of the prairies; in “The Evaluator,” the gods are of the mountains. It seemed natural to write one set near the ocean. Then I had to start asking myself: What would those gods look like? How would they react differently to certain things than the gods of the land? And the story followed from there. I wanted to ask questions, in the story, about responsibility—who’s responsible for who, and why? Must it always be about love? Never about love? Duty? Obligation? How do you know when something or someone has to be taken under your wing? How is taking in a little girl different from taking in a lighthouse, and how is it the same? When is something ‘Someone else’s problem’ for either gods or humans? This was a difficult story for me because of those questions, and I know not all of them are answered in the text. In the end, I hope they’re not. These are questions we all ask ourselves in real life.

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About the Authors

Amelia Gorman is a horror fan, summer camp baker, and twitter bot maker in Minnesota. You can read her other monstrous themed writing in the Lovecraftian She Walks in Shadows anthology, and her poetry in Liminality Magazine, Star*Line, and Eternal Haunted Summer. Twitter: @gorman_ghast.

Wendy Nikel’s fiction has appeared in Fantastic Stories of the Imagination, Daily Science Fiction, Nature: Futures, and elsewhere. Find her at wendynikel.com.

Premee Mohamed is an Indo-Caribbean scientist and speculative fiction writer based in Canada. Her work has been published by Nightmare Magazine, Martian Migraine Press, Innsmouth Free Press, and many others. She can be found on Twitter at @premeesaurus.

12 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Sharp & Sugar Tooth

Print (978-1-937794-88-0).
Ebook (978-1-937794-89-7).

 
Go to: About | Reviews | Goodreads
Forthcoming 26 March 2019.

 

About

Sharp & Sugar Tooth: Women Up To No Good is a horror anthology of dark fiction and darker appetites, edited by Octavia Cade. Containing 22 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 22 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the third in the Women Up To No Good series, and is forthcoming on 26 March 2019.

 

Table of Contents

  • Kathleen Alcalá, “The Doll’s Eye” (original)
  • Betsy Aoki, “And When We Die They Will Consume Us” (original)
  • Joyce Chng, “Dear Son” (original)
  • Katharine E. K. Duckett, “Gimme Sugar” (original)
  • Anahita Eftekhari, “The Fool’s Feast” (original)
  • Chikodili Emelumadu, “Candy Girl” (first published in Apex Magazine, issue 66, November 2014)
  • Amelia Gorman, “She Makes the Deep Boil” (original)
  • Jasmyne J. Harris, “What the Bees Know About Discarded Girlish Organs” (original)
  • A. R. Henle, “Strong Meat” (original)
  • Crystal Lynn Hilbert, “Soul of Soup Bones” (first published in Apex Magazine, issue 61, June 2014)
  • Erin Horáková, “A Year Without the Taste of Meat” (original)
  • Kathryn McMahon, “The Honey Witch” (original)
  • H. Pueyo, “I Eat” (original)
  • D. A. Xiaolin Spires, “Bristling Skim” (original)
  • Rachael Sterling, “Alice Underground” (original)
  • Penny Stirling, “Red, From the Heartwood” (original)
  • Catherynne M. Valente, “The Lily and the Horn” (first published in Fantasy Magazine, issue 59, Queers Destroy Fantasy!, 2015)
  • Sabrina Vourvoulias, “A Fish Tale” (original)
  • Damien Angelica Walters, “A Lie You Give, And Thus I Take” (first published in Lightspeed, issue 55, December 2014)
  • Rem Wigmore, “Who Watches” (original)
  • Alyssa Wong, “Hungry Daughters of Starving Mothers” (first published in Nightmare, issue 37, Queers Destroy Horror!, 2015)
  • Caroline M. Yoachim, “The Carnival Was Eaten, All Except the Clown” (first published in Electric Velocipede, issue 27, 2013 and republished at Drabblecast)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

25 January 2018


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