Posts tagged ‘Alyssa Wong’

There, just behind his teeth, is what I’m looking for: ugly thoughts, viscous as boiled tendon.

Today we spotlight two stories of eating souls, Crystal Lynn Hilbert’s “Soul of Soup Bones” and Alyssa Wong’s “Hungry Daughters of Starving Mothers” (from which today’s title comes):

Unlike most of the stories in these anthologies, both of these stories have been published before: you can read “Soul of Soup Bones” in Apex Magazine and “Hungry Daughters of Starving Mothers” in the 2015 Queers Destroy Horror! issue of Nightmare. It won the 2015 Nebula Award for Best Short Story and the 2016 World Fantasy Award for Short Fiction!

 

About the Authors

Crystal Lynn Hilbert lives in the forgotten backwaters of Western Pennsylvania and subsists mostly on old trade paperbacks and tea. A fan of things magical and mythical, her stories tend towards a peculiar blend of high magic and Eddic poetry. You can read her latest stories “Oath Breaker Priest to an Almost God” and “Rediscovering the Lich: A Study on the Lost Art of Self-Reanimation” in Betwixt Magazine. A monster masquerading as her sleeps at http://cl-hilbert.tumblr.com.

Alyssa Wong lives in Chapel Hill, NC, and really, really likes crows. She was a finalist for the 2016 John W. Campbell Award for Best New Writer. Her fiction has been shortlisted for the Hugo Award, the Bram Stoker Award, the Locus Award, and the Shirley Jackson Award. Her work has been published in The Magazine of Fantasy & Science Fiction, Strange Horizons, Nightmare Magazine, Black Static, and Tor.com, among others. Alyssa can be found on Twitter as @crashwong.

22 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Sharp & Sugar Tooth

Print (978-1-937794-88-0).
Ebook (978-1-937794-89-7).

 
Go to: About | Reviews | Goodreads
Forthcoming 26 March 2019.

 

About

Sharp & Sugar Tooth: Women Up To No Good is a horror anthology of dark fiction and darker appetites, edited by Octavia Cade. Containing 22 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 22 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the third in the Women Up To No Good series, and is forthcoming on 26 March 2019.

 

Table of Contents

  • Kathleen Alcalá, “The Doll’s Eye” (original)
  • Betsy Aoki, “And When We Die They Will Consume Us” (original)
  • Joyce Chng, “Dear Son” (original)
  • Katharine E. K. Duckett, “Gimme Sugar” (original)
  • Anahita Eftekhari, “The Fool’s Feast” (original)
  • Chikodili Emelumadu, “Candy Girl” (first published in Apex Magazine, issue 66, November 2014)
  • Amelia Gorman, “She Makes the Deep Boil” (original)
  • Jasmyne J. Harris, “What the Bees Know About Discarded Girlish Organs” (original)
  • A. R. Henle, “Strong Meat” (original)
  • Crystal Lynn Hilbert, “Soul of Soup Bones” (first published in Apex Magazine, issue 61, June 2014)
  • Erin Horáková, “A Year Without the Taste of Meat” (original)
  • Kathryn McMahon, “The Honey Witch” (original)
  • H. Pueyo, “I Eat” (original)
  • D. A. Xiaolin Spires, “Bristling Skim” (original)
  • Rachael Sterling, “Alice Underground” (original)
  • Penny Stirling, “Red, From the Heartwood” (original)
  • Catherynne M. Valente, “The Lily and the Horn” (first published in Fantasy Magazine, issue 59, Queers Destroy Fantasy!, 2015)
  • Sabrina Vourvoulias, “A Fish Tale” (original)
  • Damien Angelica Walters, “A Lie You Give, And Thus I Take” (first published in Lightspeed, issue 55, December 2014)
  • Rem Wigmore, “Who Watches” (original)
  • Alyssa Wong, “Hungry Daughters of Starving Mothers” (first published in Nightmare, issue 37, Queers Destroy Horror!, 2015)
  • Caroline M. Yoachim, “The Carnival Was Eaten, All Except the Clown” (first published in Electric Velocipede, issue 27, 2013 and republished at Drabblecast)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

25 January 2018


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