Posts tagged ‘Aimee Ogden’

Broad Knowledge

Print (978-1-937794-85-9).
Ebook (978-1-937794-86-6).

 
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Forthcoming 20 November 2018, during Small Press Week!


 

About

Broad Knowledge: 35 Women Up To No Good is a feminist anthology of dark fiction and darker knowledge, edited by Joanne Merriam. Containing 35 stories of “bad” women, and “good” women who just haven’t been caught yet, it features 35 fearless writers who identify as female, non-binary, or a marginalized sex or gender identity. It’s the second in the Women Up To No Good series, and is forthcoming on 20 November 2018.

 

Table of Contents

  • Charlotte Ashley, “She Falls” (original)
  • R. S. Benedict, “Clara Vox” (original)
  • Megan Chaudhuri, “First mouse model of Innsmouth Fish-man Syndrome draft 2 USE THIS VERSION – edits by MK.doc” (original)
  • Autumn Christian, “Flowers for Dogman” (original)
  • Vida Cruz, “Blushing Blue” (original)
  • Sarina Dorie, “The Visitations of Seraphim by Biblical Scholar Father Anthony Maguire” (original)
  • L. Timmel Duchamp, “The Forbidden Words of Margaret A.” (first published in Pulphouse 8, August 1990, and also available in The Women Who Walk Through Fire, ed. Susanna J. Sturgis, Crossing Press, 1990 and in PDF on Duchamp’s website)
  • Estíbaliz Espinosa, “:: 23 commuter line chromosomes ::” (first published in Galician in Curiosidade, but original in English, translated by the author)
  • A. T. Greenblatt, “Five Meters Ahead, Two Centuries Away”(original)
  • Claudine Griggs, “The Cold Waters of Europa” (original)
  • Audrey R. Hollis, “Your Life Will Look Perfect From Afar” (original)
  • Joanna Michal Hoyt, “Taking It Back” (original)
  • Rebecca Jones-Howe, “Election Season” (original)
  • Maggie Maxwell, “Like I Need a Hole in the Head” (original)
  • Rati Mehrotra, “Make Pretty” (original)
  • Teresa P. Mira de Echeverría, “Liquid Glass” (trans. Lawrence Schimel) (original)
  • Premee Mohamed, “Below the Kirk, Below the Hill” (original)
  • Wendy Nikel, “Maidens of the Sea” (original)
  • Julie Nováková, “Frankenstein Sonata” (original)
  • Aimee Ogden, “Matched Set” (original)
  • Ezzy G. Languzzi, “Viva La Muñeca” (original)
  • Therese Pieczynski, “Three Days, Two Nights” (original)
  • Laura E. Price, “Mary in the Looking Glass” (original)
  • Clarice Radrick, “The Red” (original)
  • Nisi Shawl, “Street Worm” (first published in Streets of Shadows, Alliteration Ink, 2014; also appeared in Street Magicks, Prime Books, 2016)
  • Tabitha Sin, “The Donor” (original)
  • Angela Slatter, “The Song of Sighs” (first published in Weirder Shadows Over Innsmouth, 2013; also appeared in New Cthulhu 2: More Recent Weird, 2015)
  • D.A. Xiaolin Spires, “Sunbasker” (original)
  • Priya Sridhar, “Tidal Bloom” (original)
  • Jae Steinbacher, “Blood Sausage” (original)
  • Sonya Taaffe, “Like Milkweed” (first appeared in Not One of Us #52, ed. John Benson, October 2014)
  • Liz Ulin, “Profanity” (original)
  • Marie Vibbert, “Infinite Boyfriends” (original)
  • Mingzhao Xu, “Think, Baby Turtle” (original)
  • Xin Niu Zhang, “The Ladies in the Moon” (original)

 

 

Reviews & Mentions

Our Kickstarter was mentioned, promoted, or reviewed in:

Many thanks to Christi Craig for hosting the cover reveal for Broad Knowledge: 35 Women Up To No Good. We changed covers after the Kickstarter, and the old cover was our Kickstarter exclusive!

8 July 2018

Women dripping from his wrists

We’re featuring three stories today for our Kickstarter, which in different ways show the dangers of objectifying women.

In Aimee Ogden’s “Matched Set,” (from which today’s title comes) that danger is to the protagonist, who finds herself trapped—literally—by her expectations that she’s the special one who will be treated differently from the women her lover objectifies.

In Chikodili Emelumadu’s “Candy Girl,” becoming an object takes the protagonist and, eventually, her ex-boyfriend, to a dark place. (The story first appeared in Apex Magazine and was nominated for the Shirley Jackson prize.)

In Jae Steinbacher’s “Blood Sausage,” the protagonist teeters between treating robot sex workers as objects and as people. Jae Steinbacher writes:

“Blood Sausage” came from processing feelings about relationships and ownership, as well as my interest in the nitty-gritty aspects of maintaining human-like non-organic bodies. It’s set in La Alberca, a real town I visited when I studied abroad in Spain during college. Despite not thinking of myself as a setting-focused writer, many of my stories are infused with setting; it becomes just as integral as character in some cases. Placing an android brothel in such a traditional town offered me space to engage with absolutes and suggest what might lie between them, how they might be tied together. As for the protagonist, there are shades of myself in Val, and she embodies certain darker impulses that I’ve both felt and witnessed in others. It’s freeing to give one of your weaker qualities to a character and see how it plays out on the page.

Find out more about our Kickstarter here.

About the Authors

Chikodili Emelumadu is a Nigerian writer currently residing in Cambridge, MA. Her work has been published in Eclectica, One Throne, Omenana and various other magazines and anthologies.

Aimee Ogden has been a science teacher and a software tester. Now she writes stories about sad astronauts and angry princesses. Her work has appeared in Daily Science Fiction, The Sockdolager, and Shimmer.

Jae Steinbacher lives in Raleigh, North Carolina, where they are a freelance writer and editor. They are a graduate of North Carolina State University’s MFA in Fiction program, and of the 2014 Clarion West Writers Workshop. Their stories have been published in Terraform, Escape Pod, and PodCastle. You can find them on Twitter at @JaeSteinbacher or visit their website, julie-steinbacher.com.

2 June 2018

Kickstarting Women Up To No Good!

 

Projects like the VIDA Count have demonstrated that women account for startlingly less than half of those published, and writers of marginalized sex and gender identities account for much less than their presence in the general population.

To help counteract that—and also because we thought it would be fun—we started the Women Up To No Good series, which focuses on “bad” women, and “good” women who just haven’t been caught yet.

There are other imbalances too, most notably race, and while we have no formal requirement for inclusion of writers of color, we strive for diversity in all of our anthologies.

Broad Knowledge: 35 Women Up To No Good and Sharp & Sugar Tooth: Women Up To No Good are anthologies of writing by women and authors of marginalized sex and gender identities, about female protagonists whose knowledge or appetites are critical to their stories.

We’re raising money to be able to pay our authors professional rates, and to properly promote the anthologies so they get the attention they deserve. Our hope is to get the Women Up To No Good series on a solid enough footing that sales of the books will support all future anthologies.

 

Broad Knowledge authors

Sharp & Sugar Tooth authors

Check out our Kickstarter here.

1 April 2018

Announcing the table of contents for Broad Knowledge: 35 Women Up To No Good

Broad Knowledge: 35 Women Up To No Good, a feminist anthology of dark fiction and darker knowledge, is forthcoming in spring 2018. We’re delighted to announce the table of contents:

  • Charlotte Ashley, “She Falls”
  • R. S. Benedict, “Clara Vox”
  • Megan Chaudhuri, “First mouse model of Innsmouth Fish-man Syndrome draft 2 USE THIS VERSION – edits by MK.doc”
  • Autumn Christian, “Flowers for Dogman”
  • Vida Cruz, “Blushing Blue”
  • Christina Dalcher, “Vox”
  • Sarina Dorie, “The Visitations of Seraphim by Biblical Scholar Father Anthony Maguire”
  • L. Timmel Duchamp, “The Forbidden Words of Margaret A.”
  • A. T. Greenblatt, “Five Meters Ahead, Two Centuries Away”
  • Claudine Griggs, “The Cold Waters of Europa”
  • Audrey R. Hollis, “Your Life Will Look Perfect From Afar”
  • Joanna Michal Hoyt, “Taking It Back”
  • Rebecca Jones-Howe, “Election Season”
  • Ezzy G. Languzzi, “Viva La Muñeca”
  • Maggie Maxwell, “Like I Need a Hole in the Head”
  • Rati Mehrotra, “Make Pretty”
  • Teresa P. Mira de Echeverría, “Liquid Glass” (trans. Lawrence Schimel)
  • Premee Mohamed, “Below the Kirk, Below the Hill”
  • Julie Nováková, “Frankenstein Sonata”
  • Wendy Nikel, “Maidens of the Sea”
  • Aimee Ogden, “Matched Set”
  • Therese Pieczynski, “Three Days, Two Nights”
  • Laura E. Price, “Mary in the Looking Glass”
  • Clarice Radrick, “The Red”
  • Estíbaliz Espinosa, “:: 23 commuter line chromosomes ::”
  • Tabitha Sin, “The Donor”
  • Angela Slatter, “The Song of Sighs”
  • D.A. Xiaolin Spires, “Sunbasker”
  • Priya Sridhar, “Tidal Bloom”
  • Julie Steinbacher, “Blood Sausage”
  • Sonya Taaffe, “Like Milkweed”
  • Liz Ulin, “Profanity”
  • Marie Vibbert, “Infinite Boyfriends”
  • Mingzhao Xu, “Think, Baby Turtle”
  • Xin Niu Zhang, “The Ladies in the Moon”

Look for your opportunity to pre-order this anthology during our Kickstarter next month—and stay tuned for the cover reveal in a couple of weeks here and at Christi Craig’s book blog!

12 September 2017


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