Open Call: Sharp & Sugar Tooth
23 April 2017
Announcing an open call for submissions for Sharp & Sugar Tooth: Women Up To No Good, an anthology of dark, speculative fiction, edited by Octavia Cade and to be published by Upper Rubber Boot Books in late 2018 or early 2019.
Sharp & Sugar Tooth is looking for creepy, seductive stories about the dark side of culinary life. The emphasis should be on the preparation, or the consumption, of food—horrifying, mouth-watering stories that make us hungry despite ourselves.
Sharp & Sugar Tooth is part of Upper Rubber Boot’s in the Women Up To No Good anthology series, so subversive, diverse stories with protagonists who identify as girls/women are appreciated. We want these characters in the kitchen—and out of it—using their butcher knives and baking skills to create meals that are dark and lovely and empowering, because consumption has a dangerous and tempting taste…
Stories can be any variety of fantasy or science fiction, provided the element of horror is present. Strong language and sex is no problem, but we’re not interested in torture-porn of humans or animals (regardless of whether they end up on a plate).
- Word/page count: Up to 5,000 words/story.
- Payment: six cents per word.
- Publication history: Original stories only. Reprints may be submitted by invitation only.
- Multiple submissions: No.
- Simultaneous submissions: No.
- Deadline: 31 July 2017. All stories will be replied to by the end of August.
- To submit: Please send stories in standard manuscript format, attached in .doc or .rtf files, to octaviacade@hotmail.com with the subject line SUGAR TOOTH. Be sure to provide mailing address and a short bio.
- If the work is a translation, please also provide a statement from the rightsholder that you are authorized to translate and submit it (both author and translator will receive full payment).
Authors must identify as female, non-binary, or a marginalized sex or gender identity.
We encourage and welcome stories from voices underrepresented in speculative fiction, including (but not limited to) writers of color, LGBTQ writers, writers with disabilities, and writers in translation.